Internal incentive factors of besoyong presence are to elude from evil ghosts, as the mean to invoke clear weather for the festival, as the mean of healing and ast the mean of asking blessing.
Besoyong can be presented individually and also with ensemble. This research uses the theory of Alvin Boskoff about internal and external’s factors of social change applied as internal and external incentive factors of besoyong presence in Traditional Festival Belian Paser Nondoi. This research explains about presentations form of besoyong continue with internal and external incentive factors of besoyong presence in Traditional Festival of Belian Paser Nondoi. Besoyong has started to be sung in Traditional Festival of Belian Paser Nondoi once a year at Penajam Paser Utara regency, East Kalimantan. Besoyong is usually used by Paser tribe as the media to speak to the ancients spirits and Sangiyang through their daily lives. The implementation of intat linto baro is a simbolic implementation in a society that is religiously and customarily held by a person who initiate and the songs played are known by Acehnese comunityīesoyong is derived from the word soyong which means the spell or prayers, then besoyong means speaking or singing the spell. Music function during the implementation of intat linto baroe is a means of traditional ceremonies, entertaiment facilities, and means of aesthetic presentation. This implementation is a sacred ceremonial moment for the Aceehnese particular. The songs used are Peumulia Jamee and Ranup Lampuan. The implementation of intat linto baro uses accompanistment as a sign that a group of families and indigenous people from the linto baro party are connnecting with friendship and ratification of young man and young women in carrying out religious and customary family relation. The metology used in this study is qualitative method. The main approach of this study is ethnomusicology aided by anthropology, sociology, and history. Performing arts are divided into two groups, namely primary function groups and secondary groups. The implementation of intat linto baro uses seurune kalee as part of this implementation, so that the music played has function in the Acehnese comunity. The existence of seurune kalee untill now is used in the implementation of the intat linto baro ceremony, opening ceremonial event, welcoming guest, and celebrating Islamic holidays. Seurune kalee is an inflatable instrument that is still owned by the people of Aceh. Keywords: Selamat Laut Ceremony, Musical Performance, Keruncong Stambul Fajar. Through the function of the KSF music make it as music that always involved in various events, that KSF music can be said as the identity of the Mendanau island community. Secondary functions included the function as solidarity enchancher and as a communication medium. The primary functions included the function as a means of entertainment, and as an aesthetic presentation. The KSF Group of Pengekar Campo presenting two songs called KSF Semol and KSF Dua Mol, with a musical form of 20 bars for KSF Semol and 18 bars for KSF Dua Mol.
KSF music itself was involved in the ceremony as the performers after the Selamat Laut ceremony to accompany the people enjoying the meal, that presented as musical and pantun performances using traditional clothes on the stage. The research was conducted by field observation and literature review.The Selamat Laut ceremony is a form of expression of the request for salvation and a request to be kept away from the bad things that may happen while sailing, which in the implementation is led by a village shaman followed by all fishing communities in the village of Suak Gual. The ethnomusicological approach is used as the main approach in this study, with the help of other sciences such as anthropology, sociology and linguistics. This study aims to reveal the form of presentation, function and reason of KSF music taking part in the ceremony. KSF music is played at the completion of the Selamat Laut ceremony during a shared meal called Bedulang. KSF music consists of several instruments namely three ukulele, one viul / violin, one acoustic guitar, and a bass guitar. This ceremony was held in several days by performing traditional art performance, one of them is Keruncong Stambul Fajar(KSF) music. The fishermen community in Mendanau island, precisely in the village of Suak Gual, held a ceremony once a year called Selamat Laut.
People in Mendanau island mostly work as fishermen. Mendanau Island is one of the islands located in Belitung archipelago.
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